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by Dana Pepowski They’re everywhere: sharing research in the rehearsal room, leading a thought-provoking talkback, or sifting through new scripts as literary manager for a theatre company. Dramaturgs’ skills in analysis, problem-solving, and imagination make them ideal collaborators with actors. But what does that relationship look like? Let’s find out about dramaturgy! I spoke with Maren Robinson, freelance and resident dramaturg at TimeLine Theatre, an ensemble member at Lifeline Theatre,…

We are fortunate to have such inspiring teachers at ASC. We’re excited to highlight a few new additions that have been helping our students grow. Meet our instructors, Sarah Tolan-Mee, Joshua Moaney, and Sara Mountjoy-Pepka! Sarah Tolan-Mee is an actor and director from NYC. She guides actors and creative artists, including Pulitzer Prize winners, MacArthur Fellows, and PEN award winners, in expressive embodiment. She is a protege of the great…

Getting a copy of a commercial you worked on always requires some effort. Your agent might be able to help, but ultimately, tracking down a copy of the work is your job, not theirs. Here’s a shortlist of your best contact options. 1. The Production Company.  This is your best bet. The company name should be on your call sheet from the job (always keep your call sheets!). Most production…

by Matt Miller I have had the pleasure of working with Nicole McGovern as a 2nd Assistant Director on a few commercial jobs now and I’m so happy that she had the time to answer some questions about her work. Below is a short interview covering the basics of the 2nd Assistant Director position as well as some of Nicole’s tips for actors on set. MM: What are the primary…

You’ve done it! You’ve gotten an amazing voiceover agent. The sound equipment you’ve put together is perfectly suited for your voice and your home studio is an oasis of creativity. After months of commercial auditions, your inbox dings with the opportunity you’ve been waiting for since starting your voiceover journey: an animation audition! Panic sets in. It has been your dream to audition for animation since you were old enough…

3 Tax Tips for Actors from David Turrentine by Adriana Trajkovski As most actors know, the hardest part of this crazy biz is staying afloat financially while pursuing your career. These Tax Tips for Actors are here to help! Actors need to manage their money and find daytime gigs that have flexibility for auditioning/rehearsing.  One essential part of money management is understanding taxes; something that actors can find scary and…

You booked that commercial job–what’s next? Your wardrobe fitting, where making the choice as an actor to risk enthusiasm always pays off!

You’ve self-taped, booked the job, your scene has finally aired. Now let’s put together your demo reel with Aircheck!

How do you stay creative and busy during an actor’s strike? We have some ideas!

Get Physical! Voice Over VS On-Camera  Written by Allison Latta, edited by Destini Huston What is the difference between preparing for voice over vs on-camera auditions? A lot of people assume that preparation for VO is somehow less involved than on-camera. You aren’t required to memorize anything and you can wear whatever you want, right? This is partly true. Still, I’m convinced that there’s equal prep involved in a VO…